Mughal Miniature Painting: Mukhya Visheshtaayein (Key Featur…

Samishran (Synthesis): Mughal shaili Persian aur Bhartiya (Rajput/Hindu) kalakritiyon ka sundar mel hai.

Kagaz ka upyog: Isme adhikatar ‘Wasli’ (kahi paraton wala kagaz) ka istemal hota tha.

Rang: Prachur matra mein sone (gold), chandi (silver) aur kimiyaayi rangon ka prayog hota tha.

Vishesh Prabhav: Isme ‘Persian’ style ki nanuta aur ‘Indian’ style ki sahajta dikhti hai.

Darbari Jeevan: Mughal chitra adhikatar darbar, shikar, aur rajaon ke niji jeevan par aadharit hote the.

Vastavikta (Realism): Chehron ko banane mein ‘portraiture’ (chehre ki bariki) par vishesh dhyan diya jata tha.

Prakriti ka chitran: Ped-paudhon, phoolon aur janwaron ka chitran bahut hi sajeev hota tha.

Bhasha aur Sahitya: ‘Hamzanama’ jaise granthon ka chitran is shaili ki shuruat mana jata hai.

Kala ka samrakshan: Humayun ise Iran se laya, Akbar ne ise nikhara, aur Jahangir ke samay ye apne charam (peak) par thi.

Aatmakatha: ‘Tuzuk-e-Jahangiri’ mein chitron ke prati Jahangir ka lagav spasht dikhta hai.

Bariki (Fine Detailing): Ek-ek baal aur kapdon ki silvaton ko bahut bariki se dikhaya jata tha.

Shanti aur Yuddh: Yuddh ke drishyon mein uttejna aur darbar mein shanti ka sahi santulan hota tha.

Rang-sanyojan: Chamkile aur gahre rangon ka prayog hota tha jo samay ke sath bhi dhundhle nahi hue.

Vastukala ka prabhav: Chitron ki prishthbhumi (background) mein aksar Mughal bhavanon aur jharokhon ko dikhaya jata tha.

Akbar ka yogdan: Akbar ke samay ‘Dastan-e-Amir Hamza’ ka nirman hua, jisme 1400 chitra the.

Jahangir ka kaal: Jahangir ke samay chitra kala mein ‘Naturalism’ (prakritikta) badh gayi.

Shah Jahan ka kaal: Is samay rangon mein aur adhik chamak aur sone ka prayog badh gaya.

Aura (Halo): Rajaon aur badshahon ke sir ke peeche ‘divya prabhav’ ya ‘halo’ dikhana shuru hua.

Hashiya (Borders): Chitron ke charon taraf sundar nakashi wale ‘borders’ banaye jate the.

Lipi (Calligraphy): Aksar chitron ke upar ya niche sundar aksharon mein likhayi ki jati thi.

Vastra-vibhushan: Mughal darbar ke poshakon, pagdiyon aur jewar ka varnan bahut vistrit hota tha.

Shikari drishya: Sher ka shikar karte raja ka chitra bahut lokpriya tha.

Mahila chitra: Mahilaon ko sundar aur aakarshak, aksar jharokhon mein ya garden mein dikhaya jata tha.

Samyakta: Har chitra ek kahani kehta hai jo us samay ke itihaas ko darshata hai.

Pratishtha: Mughal chitra sirf manoranjan nahi, balki badshah ki pratishtha ka prateek the.

Kalam ka prayog: Bahut patli ‘sami’ (squirrel hair) brush ka istemal hota tha.

Prakritik drishya: Pahadi aur jharno ka Persian prabhav wala chitran.

Vatavaran: Chitron mein aksar thandi chhaya aur hariyali ka prayog hota tha.

Jeev-jantu: Hathi, ghode aur shikar ke kutte bahut bariki se banaye jate the.

Sangeet aur Nritya: Mahfilon mein sangeet aur dance ke drishya aam the.

Dharmik Sahishnuta: Ramayan aur Mahabharat ka Farsi anuvad (Razmnama) bhi Mughal shaili mein chitrit hua.

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